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“A muddle of clichés,” is the put-down that launches former New York Times jazz critic Ben Ratliff, writing in Slate, into a none-dared-wish-it-longer vivisection of Gosling’s “LLL” intentions: “He wants to save jazz by opening a club for ‘pure jazz’ — a laboratory for his ideas, which he claims to know are the right ideas, though we don’t know exactly what they are.” The movie’s been deemed sexist because Stone’s character, Mia, is less forceful than Gosling’s Sebastian, and of course it’s racist, too

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[252] Ocasio-Cortez supports raising the marginal tax rate on top income earners to fund the implementation of her policy goals

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